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New York, July 2, 2014 – Alia Nour, who has served as Associate Curator to the Dahesh Museum of Art since 2011, has been promoted to Curator. Nour first joined the Dahesh in 2008, as Assistant Curator. She recently co-curated the successful Sacred Visions: Nineteenth-Century Biblical Art from the Dahesh Museum Collection, exhibited at the Museum of Biblical Art (MOBIA), which featured some 30 works from the Dahesh collection.
Alia Nour has a Bachelor in Middle Eastern Studies from the American University in Cairo, a Masters in Museum Studies from Seton Hall University N.J., a Masters in Art History from Rutgers University N.J., and, currently, she is a PhD candidate in Art History at Rutgers University, N.J. Her research focuses on the cultural exchange between France and Egypt, artistic production, and Egyptian national identity in the late 19th and early 20th centuries. Her Masters theses were The Making of the Dahesh Museum of Art: An Account of Its Founding, Ten-Year History, Its Academic Art Collection, and Exhibitions (Seton Hall), and, Egypt Through the Lens of Pascal Sébah’s Commercial Photographs 1860s-1880s (Rutgers).
In addition to the exhibition at MOBIA, she has curated several exhibitions including Becoming an Artist: The Academy in 19th-Century France, Dahesh Museum of Art at the Palitz Gallery, Lubin House, Syracuse University, New York City, 2010; Reconnecting East & West: Islamic Ornament in 19th-Century Works from the Dahesh Museum of Art and Syracuse University, Dubai Community Theatre & Arts Centre, Dubai, United Arab Emirates, 2011; Encountering the Orient: Masterworks from the Dahesh Museum of Art at Christie’s New York, 2013; and, co-curated Rediscovering Egypt: The Collection of the Dahesh Museum of Art at the Baker Museum, Naples, Florida, 2014. She recently prepared Academic Splendor: 101 Masterpieces from the Dahesh Museum of Art, due to be published in 2014.
“This promotion acknowledges Alia’s significant accomplishments and her key role to our collection,” said J. David Farmer, Director of Exhibitions. “We will rely on Alia’s expertise as the Dahesh continues to evolve in the future.”
About the Dahesh Museum of Art
The Dahesh Museum of Art is the only institution in the United States devoted to collecting, exhibiting, and interpreting works by Europe and America’s academically trained artists of the 19th and early 20th centuries. The Dahesh serves a diverse audience by placing these artists in the broader context of 19th-century visual culture, and by offering a fresh appraisal of the role academies played in reinvigorating the classical ideals of beauty, humanism, and skill. Visit us at: http://www.daheshmuseum.org.
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Frederic Lord Leighton’s Star of Bethlehem has American Debut in Sacred Visions: Nineteenth-Century Biblical Art from the Dahesh Museum Collection
November 13, 2013, New York, New York — On Friday, November 8, 2013, Sotheby’s announced the top-ten sales results for its auction of 19th-Century European art. Included in that list was Frederic, Lord Leighton’s imposing Star of Bethlehem, purchased by the Dahesh Museum of Art, together with three other important paintings by other artists and complementing four artworks by Leighton already in the collection. The subject matter fits so perfectly within the scope of the current exhibition, Sacred Visions: Nineteenth-Century Biblical Art from the Dahesh Museum Collection, on view until February 16, 2014 at the Museum of Biblical Art, that curators and directors from each institution immediately agreed to add the painting to the current installation, an opportunity not to be missed.
“Yes, we know that this is not often done,” said Amira Zahid, founding trustee of the Dahesh Museum of Art and head of the acquisitions committee, “but who knows when we might have the chance to show this remarkable work within its proper context. So we seized the moment. Luckily, this large work is in great condition, has a lovely frame, and both our Museum and MOBIA are blessed with an enthusiastic, nimble staff of registrars, preparators, curators and exhibition designers. We worked together to make this change happen as quickly and seamlessly as possible.”
Richard P. Townsend, the Museum of Biblical Art’s director, commented “We are delighted to include this marvelous painting by one of the 19th century’s great artists in our exhibition. This reappraisal was made clear by the 1996 Royal Academy show and is quite apparent in this picture’s daring perspective and lush palette.”
According to Dahesh’s Associate Curator Alia Nour, “Our collaboration with MOBIA has been very productive from the start, so when I called Adrianne Rubin, my counterpart at MOBIA, we decided to remove two smaller paintings to make room for this very large one and started to work on a new label. We deemed it worthwhile to give visitors access to one of the most powerful biblical works Leighton produced during the 1860s.”
The Star of Bethlehem was last exhibited in 1996 in London at the Royal Academy of Arts’ major exhibition, Frederic Leighton 1830–1896. It was first shown there in 1862 and again in 1897, a year after his death. (Leighton was a member of the Royal Academy and its president from 1878 until his death in 1896.) Even then, no one was absolutely sure it depicted one of the three Magi, but there is no doubt the subject is a king (shown half-lifesize), who gazes at the Star’s mysterious, summoning light from the battlements of his palace. With crown in hand, as if leaving behind his worldly office, he stares into the distance–back to the spectator–involved in a journey of his own.
The Dahesh Museum of Art organized the exhibition Sacred Visions in conjunction with the Museum of Biblical Art. It opened on October 18, 2013, and will be on view until February 16, 2014. An introductory brochure and audioguide accompany the exhibition, along with adult, family, and community programs. The Dahesh Museum of Art has organized a scholarly symposium, in conjunction with MOBIA, to be held at MOBIA on January 17, 2014.
The Museum of Biblical Art, located at 61st Street and Broadway in New York City, is open six days a week: Tuesday – Sunday: 10am – 6pm, and offers programs on selected evenings. Admission is free. For details, visit mobia.org and daheshmuseum.org.
The Dahesh Museum of Art has been without a home since it vacated its premises at Madison Avenue and 57th Street in 2007. Since then it has been teaming with institutions like Syracuse University to keep its name and collection in the public eye.
Its latest partnership is sure to raise a few eyebrows, however. This week the institution said it had organized a show at Christie’s, “Encountering the Orient: Masterworks from the Dahesh Museum of Art,” which is to open on March 27. Is the Dahesh planning on selling some of its art?
“That will never happen,” said Amira Zahid, a member of the museum’s board. “We’re breaking new ground. This is an opportunity to show that art and commerce are not that far apart. We both believe in education and have something to offer the public together.”
Before the advent of action movies, thrill-seekers could always check out some history paintings for the kind of visceral excitement now provided by the likes of James Bond and Jason Bourne. And anyone who has doubts about the similarities between the old and new kinds of blockbuster needs only to have a look at “The Essential Line: Drawings From the Dahesh Museum of Art,” a small, punchy exhibition at Fairfield University’s Bellarmine Museum.
New York, NY—June 4 –The Dahesh Museum of Art, one of the most appealing museums ever to open in Manhattan, today announced that it has relocated the Museum Gift Shop and offices to 145 Sixth Avenue, between Dominick and Spring, in Hudson Square.